（ so, sakura leads her to the first patient, a woman in her mid to late thirties with a sprained ankle. sakura has healed the worst of the tissue damage itself, but she still wants to support it properly for a few days, just to make up for the reduction in her healing ability. she's already asked and received permission to use this as a teaching session, so — ）
This is Etana. Etana, this is Fukawa. She's going to watch me wrap your good leg, and then she's going to try doing the wrap on the injured one if she's feeling up for it.
（ so, she goes through all the motions. shows the girl how to properly hold the foot so it doesn't pull on the bad side and remains neutral during wrapping, how to unravel the bandage as you work so you can keep the fishbone pattern smooth and not too tight, and importantly — to always begin away from the heart and work towards it for proper circulation. she'll pause at any point if fukawa has questions, and explain her techniques or redo anything, and when she's done and has gently affixed the bandage to the woman's ankle — ）
no subject
This is Etana. Etana, this is Fukawa. She's going to watch me wrap your good leg, and then she's going to try doing the wrap on the injured one if she's feeling up for it.
（ so, she goes through all the motions. shows the girl how to properly hold the foot so it doesn't pull on the bad side and remains neutral during wrapping, how to unravel the bandage as you work so you can keep the fishbone pattern smooth and not too tight, and importantly — to always begin away from the heart and work towards it for proper circulation. she'll pause at any point if fukawa has questions, and explain her techniques or redo anything, and when she's done and has gently affixed the bandage to the woman's ankle — ）
There. How does that feel, Ms. Etana?